{"title":"Only 1 left","description":"","products":[{"product_id":"mayo-sanctuary-barbara-rae","title":"Barbara Rae: Mayo Sanctuary","description":"\u003cp\u003eCelebrated painter Barbara Rae CBE RA FRSE studied in Edinburgh in the 1960's, where she was awarded a travel scholarship to study in France and Spain. She was elected President of the Society of Scottish Artists in 1983 and became a Member of the Royal Scottish Academy in 1992.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThrough the varied use of bold composition, strong contrast and richly textured painted and collaged surfaces Barbara Rae evokes a memorable atmosphere in all her work. At first glance, Rae's paintings seem like planes of abstracted colour, but once your eyes adjust you can make out rural landscapes and industrial architecture. Harbours and coastlines are prominent in her paintings, where rocks become ships, and trees become electricity pylons.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRae’s work has been included in solo and group exhibitions, both nationally and internationally, and is included in private collections in Britain, Europe and the USA, as well as in many public and corporate collections.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRae currently lives and works in Edinburgh.\u003cbr\u003e\u003c\/p\u003e\n\u003csection\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/section\u003e\n\u003csection\u003e\u003c\/section\u003e\n\u003csection\u003ePaper Size: 90 x 76 cm\u003c\/section\u003e\n\u003csection\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/section\u003e\n\u003csection\u003e\u003c\/section\u003e\n\u003csection\u003eImage Size: 59 x 59 cm\u003c\/section\u003e\n\u003csection\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/section\u003e\n\u003csection\u003e\u003c\/section\u003e\n\u003csection\u003eMedium: Etching\u003c\/section\u003e\n\u003csection\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/section\u003e\n\u003csection\u003e\u003c\/section\u003e\n\u003csection\u003eEdition Size: 8\u003c\/section\u003e\n\u003csection\u003eYear: 2016\u003cbr\u003e\u003cbr\u003e\u003c\/section\u003e\n\u003csection\u003e\u003c\/section\u003e\n\u003csection\u003eCopyright the artist. Courtesy of Peacock Visual Arts.\u003c\/section\u003e","brand":"Rae, Barbara","offers":[{"title":"Default Title","offer_id":15799840243771,"sku":"","price":800.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0111\/0245\/3819\/products\/Barbara_Rae_-_Mayo_Sanctuary_CLOSE_CROP_2000pix.jpg?v=1569075064"},{"product_id":"oscar-wilde-ralph-steadman","title":"Ralph Steadman: Oscar Wilde","description":"Part of the 'Writers Series'. Published by Peacock during Ralph's residency in the early 90's, a prolific period for both artist and printmaking studio where over 80 works were produced between 1992 and 1994. The plate and the HC were produced in 1993 and the full edition was published later in 1995.\u003cbr\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e \u003cbr\u003e\n\u003csection\u003ePaper Size: 54.5 x 41 cm\u003cbr\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/section\u003e\n\u003csection\u003eMedium: Etching\u003cbr\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/section\u003e\n\u003csection\u003eEdition Size: 20\u003cbr\u003eYear: 1995\u003c\/section\u003e","brand":"Steadman, Ralph","offers":[{"title":"Default Title","offer_id":16153484722235,"sku":"","price":600.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0111\/0245\/3819\/files\/RalphSteadman-OscarWilde3000pix.jpg?v=1692202933"},{"product_id":"act-grey-steven-aalders","title":"Steven Aalders: Act (grey)","description":"\u003csection id=\"product_description\"\u003e\u003cspan\u003eSteven Aalders is known for his meticulous hand made abstract oil paintings, in which the heritage of modernism of Mondrian and the American Minimal Art has been processed. His work is an attempt to embody the essence, to create light and space through paint. Also to remap the tradition of history of art. Modernist serial principles such as repetition and sameness are both connected to older traditions in Western art and Eastern abstract art. His use of colour reflects various colour concepts from the past.\u003cbr\u003e\u003cbr\u003eHis paintings have been collected internationally by both private and public collections, such as the Stedelijk Museum Amsterdam, AKZO Nobel Art Foundation, Caldic Collection, ABN AMRO Bank Art Collection and Museum Kurhaus Kleve (DE) a.o. In 2011 he made an exhibition For Philip Guston at De Ketelfactory in Schiedam (NL) and he had been in residence at the Josef Albers Foundation in Bethany, Connecticut (USA).\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/section\u003e\n\u003csection\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/section\u003e\n\u003csection\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/section\u003e\n\u003csection\u003e\u003cspan\u003eThis is one of four in the set \"Four Acts\" produced by Peacock Visual Arts in 2013.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/section\u003e\n\u003csection\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003ePaper Size: 45 x 45 cm\u003c\/section\u003e\n\u003csection\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/section\u003e\n\u003csection\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/section\u003e\n\u003csection\u003eMedium: Screenprint\u003c\/section\u003e\n\u003csection\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/section\u003e\n\u003csection\u003eEdition Size: 20\u003cbr\u003eYear: 2013\u003c\/section\u003e","brand":"Aalders, Steven","offers":[{"title":"Default Title","offer_id":20638474731579,"sku":"","price":550.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0111\/0245\/3819\/products\/Steven_Aalders_-_Act_Grey_2000pix.jpg?v=1553129854"},{"product_id":"passage-i-kenneth-dingwall","title":"Kenneth Dingwall: Passage I","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003csection id=\"product_description\"\u003e\n\u003cp\u003e\u003cspan\u003eKenneth Dingwall's large-scale abstract works are strongly influenced by and suggestive of patterns\u003c\/span\u003e\u003cspan\u003e in nature, such as bones of the human skeleton, sunlight shining on the ocean, or folded leaves\u003c\/span\u003e\u003cspan\u003e. Dingwall’s work is also described as ‘a psychological exploration of surfaces, membranes and what is hidden beneath the surface’, which are painted in a limited range of colours, commonly blue, red, black, and most often grey.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/section\u003e\n\u003csection\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/section\u003e\n\u003csection\u003e\n\u003csection\u003ePaper Size: 43.2 x 45.7cm\u003c\/section\u003e\n\u003c\/section\u003e\n\u003csection\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/section\u003e\n\u003csection\u003eMedium: Etching\u003c\/section\u003e\n\u003csection\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/section\u003e\n\u003csection\u003eEdition Size: 16\u003cbr\u003eYear: 2008\u003c\/section\u003e","brand":"Dingwall, Kenneth","offers":[{"title":"Default Title","offer_id":20795169636411,"sku":"","price":320.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0111\/0245\/3819\/products\/Kenneth_Dingwall_-_Passage_I_green_red_2000pix.jpg?v=1554934252"},{"product_id":"passage-ii-kenneth-dingwall","title":"Kenneth Dingwall: Passage II","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003csection id=\"product_description\"\u003e\n\u003cp\u003e\u003cspan\u003eKenneth Dingwall's large-scale abstract works are strongly influenced by and suggestive of patterns\u003c\/span\u003e\u003cspan\u003e in nature, such as bones of the human skeleton, sunlight shining on the ocean, or folded leaves\u003c\/span\u003e\u003cspan\u003e. Dingwall’s work is also described as ‘a psychological exploration of surfaces, membranes and what is hidden beneath the surface’, which are painted in a limited range of colours, commonly blue, red, black, and most often grey.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/section\u003e\n\u003csection\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/section\u003e\n\u003csection\u003e\n\u003csection\u003ePaper Size: 43.2 x 45.7cm\u003c\/section\u003e\n\u003c\/section\u003e\n\u003csection\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/section\u003e\n\u003csection\u003eMedium: Etching\u003c\/section\u003e\n\u003csection\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/section\u003e\n\u003csection\u003eEdition Size: 16\u003cbr\u003eYear: 2008\u003c\/section\u003e","brand":"Dingwall, Kenneth","offers":[{"title":"Default Title","offer_id":20795239563323,"sku":"","price":320.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0111\/0245\/3819\/products\/Kenneth_Dingwall_-_Passage_II_green_2000pix.jpg?v=1554934414"},{"product_id":"ginko-elspeth-lamb","title":"Elspeth Lamb: Ginko","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003csection id=\"product_description\"\u003eElspeth Lamb created this print as part of a unique series of lithographs using traditional limestone combined with digital imaging techniques whilst working with printmaker Jonathan Jones in our workshop. The suite of prints, entitled 'Nagasawa Cantrips', was inspired by Elspeth's four week residency in Japan, whilst studying the Japanese art of paper making. The title uses old lowland Scots language with 'cantrips' meaning 'a magical spell of any kind'. The resulting images seem to combine frivolity with seriousness, candour with hidden meaning and sensitivity with bluntness.\u003c\/section\u003e\n\u003cbr\u003e\n\u003csection\u003e\u003c\/section\u003e\n\u003csection\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/section\u003e\n\u003csection\u003ePaper Size: 53 x 25 cm\u003c\/section\u003e\n\u003csection\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/section\u003e\n\u003csection\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/section\u003e\n\u003csection\u003eMedium: Lithograph\u003c\/section\u003e\n\u003csection\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/section\u003e\n\u003csection\u003eEdition Size: 10\u003cbr\u003eYear: 2003\u003c\/section\u003e","brand":"Lamb, Elspeth","offers":[{"title":"Default Title","offer_id":31923724025902,"sku":"","price":250.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0111\/0245\/3819\/products\/ElspethLamb-Ginko827pix.jpg?v=1586541932"},{"product_id":"manga-elspeth-lamb","title":"Elspeth Lamb: Manga","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003csection id=\"product_description\"\u003eElspeth Lamb created this print as part of a unique series of lithographs using traditional limestone combined with digital imaging techniques whilst working with printmaker Jonathan Jones in our workshop. The suite of prints, entitled 'Nagasawa Cantrips', was inspired by Elspeth's four week residency in Japan, whilst studying the Japanese art of paper making. The title uses old lowland Scots language with 'cantrips' meaning 'a magical spell of any kind'. The resulting images seem to combine frivolity with seriousness, candour with hidden meaning and sensitivity with bluntness. \u003cbr\u003e\u003c\/section\u003e\n\u003cbr\u003e\n\u003csection\u003e\u003c\/section\u003e\n\u003csection\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/section\u003e\n\u003csection\u003ePaper Size: 53 x 25 cm \u003cbr\u003e\u003c\/section\u003e\n\u003csection\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/section\u003e\n\u003csection\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/section\u003e\n\u003csection\u003eMedium: Lithograph \u003cbr\u003e\u003c\/section\u003e\n\u003csection\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/section\u003e\n\u003csection\u003eEdition Size: 10 \u003cbr\u003eYear: 2003 \u003cbr\u003e\u003c\/section\u003e","brand":"Lamb, Elspeth","offers":[{"title":"Default Title","offer_id":31923754598446,"sku":"","price":250.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0111\/0245\/3819\/products\/ElspethLamb-Manga836pix.jpg?v=1586542142"},{"product_id":"march-hare-elspeth-lamb","title":"Elspeth Lamb: March Hare","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003csection id=\"product_description\"\u003eElspeth Lamb created this print as part of a unique series of lithographs using traditional limestone combined with digital imaging techniques whilst working with printmaker Jonathan Jones in our workshop. The suite of prints, entitled 'Nagasawa Cantrips', was inspired by Elspeth's four week residency in Japan, whilst studying the Japanese art of paper making. The title uses old lowland Scots language with 'cantrips' meaning 'a magical spell of any kind'. The resulting images seem to combine frivolity with seriousness, candour with hidden meaning and sensitivity with bluntness.\u003c\/section\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003csection\u003e\u003c\/section\u003e\n\u003csection\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/section\u003e\n\u003csection\u003ePaper Size: 53 x 25 cm\u003c\/section\u003e\n\u003csection\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/section\u003e\n\u003csection\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/section\u003e\n\u003csection\u003eMedium: Lithograph\u003c\/section\u003e\n\u003csection\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/section\u003e\n\u003csection\u003eEdition Size: 10\u003cbr\u003eYear: 2003\u003c\/section\u003e","brand":"Lamb, Elspeth","offers":[{"title":"Default Title","offer_id":31923771080750,"sku":"","price":250.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0111\/0245\/3819\/products\/ElspethLamb-MarchHare843pix.jpg?v=1586542391"},{"product_id":"miracle-fish-elspeth-lamb","title":"Elspeth Lamb: Miracle Fish","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003csection id=\"product_description\"\u003eElspeth Lamb created this print as part of a unique series of lithographs using traditional limestone combined with digital imaging techniques whilst working with printmaker Jonathan Jones in our workshop. The suite of prints, entitled 'Nagasawa Cantrips', was inspired by Elspeth's four week residency in Japan, whilst studying the Japanese art of paper making. The title uses old lowland Scots language with 'cantrips' meaning 'a magical spell of any kind'. The resulting images seem to combine frivolity with seriousness, candour with hidden meaning and sensitivity with bluntness.\u003c\/section\u003e\n\u003cbr\u003e\n\u003csection\u003e\u003c\/section\u003e\n\u003csection\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/section\u003e\n\u003csection\u003ePaper Size: 53 x 25 cm\u003c\/section\u003e\n\u003csection\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/section\u003e\n\u003csection\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/section\u003e\n\u003csection\u003eMedium: Lithograph\u003c\/section\u003e\n\u003csection\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/section\u003e\n\u003csection\u003eEdition Size: 10\u003cbr\u003eYear: 2003\u003c\/section\u003e\n\u003csection\u003e\u003c\/section\u003e","brand":"Lamb, Elspeth","offers":[{"title":"Default Title","offer_id":31923777830958,"sku":"","price":250.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0111\/0245\/3819\/products\/ElspethLamb-MiracleFish834pix.jpg?v=1586542509"},{"product_id":"south-of-granada-barbara-rae","title":"Barbara Rae: South Of Granada","description":"\u003cp\u003eCelebrated painter Barbara Rae CBE RA FRSE studied in Edinburgh in the 1960's, where she was awarded a travel scholarship to study in France and Spain. She was elected President of the Society of Scottish Artists in 1983 and became a Member of the Royal Scottish Academy in 1992.\u003cbr\u003e\u003cbr\u003eThrough the varied use of bold composition, strong contrast and richly textured painted and collaged surfaces Barbara Rae evokes a memorable atmosphere in all her work. At first glance, Rae's paintings seem like planes of abstracted colour, but once your eyes adjust you can make out rural landscapes and industrial architecture. Harbours and coastlines are prominent in her paintings, where rocks become ships, and trees become electricity pylons.\u003cbr\u003e\u003cbr\u003eRae’s work has been included in solo and group exhibitions, both nationally and internationally, and is included in private collections in Britain, Europe and the USA, as well as in many public and corporate collections. \u003cbr\u003e\u003cbr\u003eRae currently lives and works in Edinburgh.\u003cbr\u003e\u003c\/p\u003e\n\u003csection\u003e\u003c\/section\u003e\n\u003csection\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/section\u003e\n\u003csection\u003ePaper Size: 90 x 76 cm\u003c\/section\u003e\n\u003csection\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/section\u003e\n\u003csection\u003eMedium: Collagraph\u003c\/section\u003e\n\u003csection\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/section\u003e\n\u003csection\u003eEdition Size: 18\u003c\/section\u003e\n\u003csection\u003eYear: 2006\u003cbr\u003e\u003cbr\u003eCopyright the artist. 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At first glance, Rae's paintings seem like planes of abstracted colour, but once your eyes adjust you can make out rural landscapes and industrial architecture. Harbours and coastlines are prominent in her paintings, where rocks become ships, and trees become electricity pylons.\u003cbr\u003e\u003cbr\u003eRae’s work has been included in solo and group exhibitions, both nationally and internationally, and is included in private collections in Britain, Europe and the USA, as well as in many public and corporate collections.\u003cbr\u003e\u003cbr\u003eRae currently lives and works in Edinburgh.\u003cbr\u003e\u003cbr\u003ePaper Size: 89 x 89 cm\u003cbr\u003eMedium: Carborundum Monoprint\u003cbr\u003eEdition Size: Artist Proof - (this print is marked AP I)\u003cbr\u003eYear: 2014\u003cbr\u003e\u003cbr\u003eCopyright the artist. 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He only uses about twenty or twenty-five motifs, which commonly include the square, circle and triangle. He worked in this geometric, non-figurative way for more than twenty-five years.\u003cbr\u003e\u003cbr\u003eSince 1983, with Peacock, he has made over 60 different images and editions in lithography, etching, screen and - importantly - woodcuts. He described working with us in the 2009 publication 'Peacock 35 Years of Great Stuff!':\u003cbr\u003e\u003cem\u003e\"I first worked at Peacock Printmakers in the early 1980s. I produced a portfolio of lithographs titled ‘Objects’ with Stuart Cordiner. I then made many screenprints with Arthur Watson who was the Director at this time. He suggested I use a router and plywood to make a coloured woodcut. Not yet convinced I made a print called ‘Cut wood’ which developed in an unexpected and original way. Arthur was right and he encouraged me to continue making woodcuts also to dye the prints to get the result I was aiming for.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMy tally to date at Peacock Visual Arts exceeds 60 different editions. However it is the dyed woodcuts that are unique to the Peacock.\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003eDaniels has exhibited both nationally and internationally, and regularly exhibited worldwide. His first solo show was held in New York in 1963 and Peacock hosted a retrospective of some of his work in 1999, during his lifetime he had over 56 solo exhibitions. Latterly he divided his time between Brighton and his studio home in Lezan, Le Gard, France, which he shared with wife, and fellow artist, Judy Stapleton. He remained an exhibiting member of The London Group throughout his life and was a founding member of the Printmakers Council.\u003cbr\u003e\u003cbr\u003eHis work is included in many prestigious public collections, including the Museum of Modern Art, New York and The Victoria \u0026amp; Albert Museum, London.\u003cbr\u003e\u003cbr\u003eThis print is part of the 'Aberdeen Suite II'.\u003cbr\u003e\u003cbr\u003ePaper Size: 112 x 70 cm\u003cbr\u003eMedium: Screenprint\u003cbr\u003eEdition Size: 35\u003cbr\u003eYear: 1986","brand":"Daniels, Harvey","offers":[{"title":"Default Title","offer_id":31998163058734,"sku":"","price":900.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0111\/0245\/3819\/products\/HarveyDaniels-Bob2000pix.jpg?v=1587395825"},{"product_id":"boot-and-lighter-harvey-daniels","title":"Harvey Daniels: Boot and Lighter","description":"Born in London in 1936, Harvey Daniels studied at the Willesden School of Art, then London University and Brighton College of Art. He went on to lectured at Brighton College of Art from 1963 to 1989 and sadly passed away in 2013.\u003cbr\u003e\u003cbr\u003eDaniels’ art is described as having a ‘geometric feel’ where he aims for the work to have an emotional charge and poetry, even though it is non-figurative. To Daniels music is an important aspect of his art and the structure of the work is more important than the colour. He only uses about twenty or twenty-five motifs, which commonly include the square, circle and triangle. He worked in this geometric, non-figurative way for more than twenty-five years.\u003cbr\u003e\u003cbr\u003eSince 1983, with Peacock, he has made over 60 different images and editions in lithography, etching, screen and - importantly - woodcuts. He described working with us in the 2009 publication 'Peacock 35 Years of Great Stuff!':\u003cbr\u003e\u003cem\u003e\"I first worked at Peacock Printmakers in the early 1980s. I produced a portfolio of lithographs titled ‘Objects’ with Stuart Cordiner. I then made many screenprints with Arthur Watson who was the Director at this time. He suggested I use a router and plywood to make a coloured woodcut. Not yet convinced I made a print called ‘Cut wood’ which developed in an unexpected and original way. Arthur was right and he encouraged me to continue making woodcuts also to dye the prints to get the result I was aiming for.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMy tally to date at Peacock Visual Arts exceeds 60 different editions. However it is the dyed woodcuts that are unique to the Peacock.\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003eDaniels has exhibited both nationally and internationally, and regularly exhibited worldwide. His first solo show was held in New York in 1963 and Peacock hosted a retrospective of some of his work in 1999, during his lifetime he had over 56 solo exhibitions. Latterly he divided his time between Brighton and his studio home in Lezan, Le Gard, France, which he shared with wife, and fellow artist, Judy Stapleton. He remained an exhibiting member of The London Group throughout his life and was a founding member of the Printmakers Council.\u003cbr\u003e\u003cbr\u003eHis work is included in many prestigious public collections, including the Museum of Modern Art, New York and The Victoria \u0026amp; Albert Museum, London.\u003cbr\u003e\u003cbr\u003eThis print is part of the 'Objects' portfolio.\u003cbr\u003e\u003cbr\u003ePaper Size: 56.5 x 72 cm\u003cbr\u003eMedium: Lithograph\u003cbr\u003eEdition Size: 30\u003cbr\u003eYear: 1983","brand":"Daniels, Harvey","offers":[{"title":"Default Title","offer_id":31998192091182,"sku":"","price":600.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0111\/0245\/3819\/products\/HarveyDaniels-BootandLighter2000pix.jpg?v=1587396470"},{"product_id":"dot-harvey-daniels","title":"Harvey Daniels: Dot","description":"Born in London in 1936, Harvey Daniels studied at the Willesden School of Art, then London University and Brighton College of Art. He went on to lectured at Brighton College of Art from 1963 to 1989 and sadly passed away in 2013.\u003cbr\u003e\u003cbr\u003eDaniels’ art is described as having a ‘geometric feel’ where he aims for the work to have an emotional charge and poetry, even though it is non-figurative. To Daniels music is an important aspect of his art and the structure of the work is more important than the colour. He only uses about twenty or twenty-five motifs, which commonly include the square, circle and triangle. He worked in this geometric, non-figurative way for more than twenty-five years.\u003cbr\u003e\u003cbr\u003eSince 1983, with Peacock, he has made over 60 different images and editions in lithography, etching, screen and - importantly - woodcuts. He described working with us in the 2009 publication 'Peacock 35 Years of Great Stuff!':\u003cbr\u003e\u003cem\u003e\"I first worked at Peacock Printmakers in the early 1980s. I produced a portfolio of lithographs titled ‘Objects’ with Stuart Cordiner. I then made many screenprints with Arthur Watson who was the Director at this time. He suggested I use a router and plywood to make a coloured woodcut. Not yet convinced I made a print called ‘Cut wood’ which developed in an unexpected and original way. Arthur was right and he encouraged me to continue making woodcuts also to dye the prints to get the result I was aiming for.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMy tally to date at Peacock Visual Arts exceeds 60 different editions. However it is the dyed woodcuts that are unique to the Peacock.\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003eDaniels has exhibited both nationally and internationally, and regularly exhibited worldwide. His first solo show was held in New York in 1963 and Peacock hosted a retrospective of some of his work in 1999, during his lifetime he had over 56 solo exhibitions. Latterly he divided his time between Brighton and his studio home in Lezan, Le Gard, France, which he shared with wife, and fellow artist, Judy Stapleton. He remained an exhibiting member of The London Group throughout his life and was a founding member of the Printmakers Council.\u003cbr\u003e\u003cbr\u003eHis work is included in many prestigious public collections, including the Museum of Modern Art, New York and The Victoria \u0026amp; Albert Museum, London.\u003cbr\u003e\u003cbr\u003eThis print is part of the 'Aberdeen Suite II'.\u003cbr\u003e\u003cbr\u003ePaper Size: 112 x 76 cm\u003cbr\u003eMedium: Screenprint\u003cbr\u003eEdition Size: 35\u003cbr\u003eYear: 1986","brand":"Daniels, Harvey","offers":[{"title":"Default Title","offer_id":31998227054638,"sku":"","price":900.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0111\/0245\/3819\/products\/HarveyDaniels-Dot2000pix.jpg?v=1587397702"},{"product_id":"elephant-dye-harvey-daniels","title":"Harvey Daniels: Elephant Dye","description":"Born in London in 1936, Harvey Daniels studied at the Willesden School of Art, then London University and Brighton College of Art. He went on to lectured at Brighton College of Art from 1963 to 1989 and sadly passed away in 2013.\u003cbr\u003e\u003cbr\u003eDaniels’ art is described as having a ‘geometric feel’ where he aims for the work to have an emotional charge and poetry, even though it is non-figurative. To Daniels music is an important aspect of his art and the structure of the work is more important than the colour. He only uses about twenty or twenty-five motifs, which commonly include the square, circle and triangle. He worked in this geometric, non-figurative way for more than twenty-five years.\u003cbr\u003e\u003cbr\u003eSince 1983, with Peacock, he has made over 60 different images and editions in lithography, etching, screen and - importantly - woodcuts. He described working with us in the 2009 publication 'Peacock 35 Years of Great Stuff!':\u003cbr\u003e\u003cem\u003e\"I first worked at Peacock Printmakers in the early 1980s. I produced a portfolio of lithographs titled ‘Objects’ with Stuart Cordiner. I then made many screenprints with Arthur Watson who was the Director at this time. He suggested I use a router and plywood to make a coloured woodcut. Not yet convinced I made a print called ‘Cut wood’ which developed in an unexpected and original way. Arthur was right and he encouraged me to continue making woodcuts also to dye the prints to get the result I was aiming for.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMy tally to date at Peacock Visual Arts exceeds 60 different editions. However it is the dyed woodcuts that are unique to the Peacock.\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003eDaniels has exhibited both nationally and internationally, and regularly exhibited worldwide. His first solo show was held in New York in 1963 and Peacock hosted a retrospective of some of his work in 1999, during his lifetime he had over 56 solo exhibitions. Latterly he divided his time between Brighton and his studio home in Lezan, Le Gard, France, which he shared with wife, and fellow artist, Judy Stapleton. He remained an exhibiting member of The London Group throughout his life and was a founding member of the Printmakers Council.\u003cbr\u003e\u003cbr\u003eHis work is included in many prestigious public collections, including the Museum of Modern Art, New York and The Victoria \u0026amp; Albert Museum, London.\u003cbr\u003e\u003cbr\u003ePaper Size: 46 x 61 cm\u003cbr\u003eMedium: Woodcut\u003cbr\u003eEdition Size: 30\u003cbr\u003eYear: 1995","brand":"Daniels, Harvey","offers":[{"title":"Default Title","offer_id":31998282825774,"sku":"","price":500.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0111\/0245\/3819\/products\/HarveyDaniels-ElephantDye2000pix.jpg?v=1587398432"},{"product_id":"lambs-and-candlestick-harvey-daniels","title":"Harvey Daniels: Lambs And Candlestick","description":"Born in London in 1936, Harvey Daniels studied at the Willesden School of Art, then London University and Brighton College of Art. He went on to lectured at Brighton College of Art from 1963 to 1989 and sadly passed away in 2013.\u003cbr\u003e\u003cbr\u003eDaniels’ art is described as having a ‘geometric feel’ where he aims for the work to have an emotional charge and poetry, even though it is non-figurative. To Daniels music is an important aspect of his art and the structure of the work is more important than the colour. He only uses about twenty or twenty-five motifs, which commonly include the square, circle and triangle. He worked in this geometric, non-figurative way for more than twenty-five years.\u003cbr\u003e\u003cbr\u003eSince 1983, with Peacock, he has made over 60 different images and editions in lithography, etching, screen and - importantly - woodcuts. He described working with us in the 2009 publication 'Peacock 35 Years of Great Stuff!':\u003cbr\u003e\u003cem\u003e\"I first worked at Peacock Printmakers in the early 1980s. I produced a portfolio of lithographs titled ‘Objects’ with Stuart Cordiner. I then made many screenprints with Arthur Watson who was the Director at this time. He suggested I use a router and plywood to make a coloured woodcut. Not yet convinced I made a print called ‘Cut wood’ which developed in an unexpected and original way. Arthur was right and he encouraged me to continue making woodcuts also to dye the prints to get the result I was aiming for.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMy tally to date at Peacock Visual Arts exceeds 60 different editions. However it is the dyed woodcuts that are unique to the Peacock.\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003eDaniels has exhibited both nationally and internationally, and regularly exhibited worldwide. His first solo show was held in New York in 1963 and Peacock hosted a retrospective of some of his work in 1999, during his lifetime he had over 56 solo exhibitions. Latterly he divided his time between Brighton and his studio home in Lezan, Le Gard, France, which he shared with wife, and fellow artist, Judy Stapleton. He remained an exhibiting member of The London Group throughout his life and was a founding member of the Printmakers Council.\u003cbr\u003e\u003cbr\u003eHis work is included in many prestigious public collections, including the Museum of Modern Art, New York and The Victoria \u0026amp; Albert Museum, London.\u003cbr\u003e\u003cbr\u003eThis print is part of the 'Objects' portfolio.\u003cbr\u003e\u003cbr\u003ePaper Size: 56.5 x 72 cm\u003cbr\u003eMedium: Lithograph\u003cbr\u003eEdition Size: 30\u003cbr\u003eYear: 1983","brand":"Daniels, Harvey","offers":[{"title":"Default Title","offer_id":31998351474734,"sku":"","price":600.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0111\/0245\/3819\/products\/HarveyDaniels-LambsAndCandlestick2000pix.jpg?v=1587399306"},{"product_id":"west-harvey-daniels","title":"Harvey Daniels: West","description":"\u003cp\u003eBorn in London in 1936, Harvey Daniels studied at the Willesden School of Art, then London University and Brighton College of Art. He went on to lectured at Brighton College of Art from 1963 to 1989 and sadly passed away in 2013.\u003cbr\u003e\u003cbr\u003eDaniels’ art is described as having a ‘geometric feel’ where he aims for the work to have an emotional charge and poetry, even though it is non-figurative. To Daniels music is an important aspect of his art and the structure of the work is more important than the colour. He only uses about twenty or twenty-five motifs, which commonly include the square, circle and triangle. He worked in this geometric, non-figurative way for more than twenty-five years.\u003cbr\u003e\u003cbr\u003eSince 1983, with Peacock, he has made over 60 different images and editions in lithography, etching, screen and - importantly - woodcuts. He described working with us in the 2009 publication 'Peacock 35 Years of Great Stuff!':\u003cbr\u003e\u003cem\u003e\"I first worked at Peacock Printmakers in the early 1980s. I produced a portfolio of lithographs titled ‘Objects’ with Stuart Cordiner. I then made many screenprints with Arthur Watson who was the Director at this time. He suggested I use a router and plywood to make a coloured woodcut. Not yet convinced I made a print called ‘Cut wood’ which developed in an unexpected and original way. Arthur was right and he encouraged me to continue making woodcuts also to dye the prints to get the result I was aiming for.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMy tally to date at Peacock Visual Arts exceeds 60 different editions. However it is the dyed woodcuts that are unique to the Peacock.\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003eDaniels has exhibited both nationally and internationally, and regularly exhibited worldwide. His first solo show was held in New York in 1963 and Peacock hosted a retrospective of some of his work in 1999, during his lifetime he had over 56 solo exhibitions. Latterly he divided his time between Brighton and his studio home in Lezan, Le Gard, France, which he shared with wife, and fellow artist, Judy Stapleton. He remained an exhibiting member of The London Group throughout his life and was a founding member of the Printmakers Council.\u003cbr\u003e\u003cbr\u003eHis work is included in many prestigious public collections, including the Museum of Modern Art, New York and The Victoria \u0026amp; Albert Museum, London.\u003c\/p\u003e\n\u003cp\u003ePart of the ‘East - Meridian - West’ triptych\u003cbr\u003e\u003cbr\u003ePaper Size: 95 x 62 cm\u003cbr\u003eMedium: Woodcut\u003cbr\u003eEdition Size: 12\u003cbr\u003eYear: 1999\u003c\/p\u003e","brand":"Daniels, Harvey","offers":[{"title":"Default Title","offer_id":31998376116270,"sku":"","price":1600.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0111\/0245\/3819\/products\/HarveyDaniels-West2000pix.jpg?v=1587399816"},{"product_id":"evening-at-calanais-frances-walker","title":"Frances Walker: Evening At Calanais","description":"\u003cp\u003eFrances Walker CBE, RSA, RSW, D.Litt, Hon FECA is an artist who has lived and worked in Aberdeen for 60 years. Born in Kirkcaldy in 1930 Frances Walker studied at Edinburgh College of Art and after attending Moray House College of Education was sole teacher of art for all schools in Harris and North Uist, Western isles 1956-1958 then lecturer in drawing and painting at Gray’s School of Art, Aberdeen 1958-1985.\u003cbr\u003e\u003cbr\u003eFrances was one of the founder members of Peacock Printmakers in 1974 and has continued to have a close association with the workshop ever since and is still printmaking from stone, plate and screen.\u003c\/p\u003e\n\u003cp\u003eThis is a triptych. The left panel is numbered, the centre has the title and the right is  signed by the artist.\u003cbr\u003e\u003cbr\u003ePaper Size: 54.5 x 76 cm \/ 54.5 x 76 cm \/ 54.5 x 76 cm\u003cbr\u003eMedium: Lithograph and Screenprint\u003cbr\u003eEdition Size: 10\u003cbr\u003eYear: 1997\u003c\/p\u003e","brand":"Walker, Frances","offers":[{"title":"Default Title","offer_id":32590610628654,"sku":"","price":6000.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0111\/0245\/3819\/products\/FrancesWalker-EveningatCalanaisTRIPTYCH2000pix.jpg?v=1597784312"},{"product_id":"loss-of-gaelic-will-maclean","title":"Will Maclean: Loss Of Gaelic","description":"\u003cp\u003eBorn in Inverness in 1941 Will Maclean was a midshipman before attending Gray's School of Art, Aberdeen. In 1981 he started as a lecturer at the Duncan of Jordanstone College of Art and Design, University of Dundee, becoming Professor of Fine Art in 1994. He was elected Royal Scottish Academician in 1991. In 2005 he was awarded an MBE for services to Education and the Arts. He lives and works in Tayport, Fife with his wife, the artist Marian Leven.\u003cbr\u003e\u003cbr\u003eMaclean is a painter, printmaker and sculptor whose work is often related to the history and culture of the Scottish Highlands with particular reference to maritime themes. In 1991 Maclean produced ‘A Night of Islands’ at Peacock for Paragon Press, an impressive suite of ten colour etchings with aquatint inspired by Gaelic poetry and sketchbooks containing daily observations and experimental work.\u003c\/p\u003e\n\u003cp\u003eMaclean produced a run of single colour etchings in the years after the suite was released from which this is one. \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e'Loss of Gaelic' is a poem by Meg Bateman, who also produced the Gaelic version of 'Trio'. The figures recall earlier works, such as the etching 'Memorial for the Glendale Martyrs'.\u003cbr\u003e\u003c\/em\u003e- Alan Woods from 'The Artist As Voyager' New work by Richard Demarco \u0026amp; Will Maclean publication produced by Peacock, 1991\u003cbr\u003e\u003cbr\u003ePaper Size: 65 x 50 cm\u003cbr\u003eMedium: Etching\u003cbr\u003eEdition Size: 30\u003cbr\u003eYear: 1993\u003c\/p\u003e","brand":"Maclean, Will","offers":[{"title":"Default Title","offer_id":32647877263406,"sku":"","price":200.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0111\/0245\/3819\/products\/WillMaclean-LossOfGaelic.jpg?v=1600095329"},{"product_id":"sunday-afternoon-frances-walker","title":"Frances Walker: Sunday Afternoon","description":"Frances Walker CBE, RSA, RSW, D.Litt, Hon FECA is an artist who has lived and worked in Aberdeen for 60 years. Born in Kirkcaldy in 1930 Frances Walker studied at Edinburgh College of Art and after attending Moray House College of Education was sole teacher of art for all schools in Harris and North Uist, Western isles 1956-1958 then lecturer in drawing and painting at Gray’s School of Art, Aberdeen 1958-1985.\u003cbr\u003e\u003cbr\u003eFrances was one of the founder members of Peacock Printmakers in 1974 and has continued to have a close association with the workshop ever since and is still printmaking from stone, plate and screen.\u003cbr\u003e\u003cbr\u003eThis print was part of our first solo exhibtion \"The Finnish Suite\" in 1980. Our 1996 book Peacock 21 has the following insight into this exhibtion:\u003cbr\u003e\u003cem\u003e“Perhaps the arttist who has been most involved with Peacock Printmakers from the earliest Board of Management through chairing the organisation during a particularly difficult period, is Frances Walker. She has been a regular user making countless etchings, monoprints and collographs. Her many collaborations with staff printers have extended the technical repertoire in each department through testing combinations of line and texture. All her many exhibitions in the last fifteen years have featured a substantial print element and she has always demonstrated a very personal involvement in all stages of production. It was most fitting that Frances was chosen to feature in the first exhibition project that Peacock was to produce with an individual artist. The Finnish Suite was the result of an extended visit to Finland on a Gillies bursary from the Royal Scottish Academy. Two etchings, a screenprint and six lithographs resulted as well as additional unique proofs. The lithographs were particularly succesful, relying on Frances’s mastery of drawing. Although some have touches of screenprinted colour and one is printed from two blacks from different stones the overall impression is of fully toned drawings on a wonderfully sympathetic range of softly coloured hand-made papers from Barcham Green. In these prints Frances fully exploits the unique possibilities offered by a range of drawing techniques on lithographic limestone. Crayons are used along with pen and ink and particularly the restrained use of blades to scrape back the drawing allowing negative lines to enliven tonal passages. This project marked the start of a most fruitful collaboration between Frances and lithographer Stewart Cordiner.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003ePaper Size: 79 x 58 cm\u003cbr\u003eMedium: Lithograph\u003cbr\u003eEdition Size: 30\u003cbr\u003eYear: 1980","brand":"Walker, Frances","offers":[{"title":"Default Title","offer_id":32698725433390,"sku":"","price":1500.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0111\/0245\/3819\/products\/FrancesWalker-SundayAfternoon2000pix.jpg?v=1602348455"},{"product_id":"virginia-woolf-i","title":"Ralph Steadman: Virginia Woolf I","description":"Part of the 'Writers Series'. Published by Peacock during Ralph's residency in the early 90's, a prolific period for both artist and printmaking studio where over 80 works were produced between 1992 and 1994. The plate and the first 2 prints in the edition were produced in 1993 and the full edition was published later in 1996.\u003cbr\u003e\u003cbr\u003e\n\u003csection\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/section\u003e\n\u003csection\u003ePaper Size: 54.5 x 40.5 cm\u003c\/section\u003e\n\u003csection\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/section\u003e\n\u003csection\u003e\u003c\/section\u003e\n\u003csection\u003eMedium: Etching\u003c\/section\u003e\n\u003csection\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/section\u003e\n\u003csection\u003eEdition Size: 20\u003cbr\u003eYear: 1996\u003c\/section\u003e","brand":"Steadman, Ralph","offers":[{"title":"Default Title","offer_id":32715156455470,"sku":"","price":600.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0111\/0245\/3819\/files\/RalphSteadman-VirginiaWoolfI3000pix.jpg?v=1692965885"},{"product_id":"war-tourist","title":"Joyce Cairns: War Tourist","description":"Joyce W. Cairns PRSA studied painting at Gray’s School of Art from 1966 - 1971 and the Royal College of Art, London 1971 - 1974). She returned to Aberdeen in 1976 to teach Drawing and Painting at Grays School of Art until taking early retirement in 2004 to paint full time. This is a self portrait with her father, Major Robert Cairns, shown being painted by the artist.\u003cbr\u003e\u003cbr\u003eThis print is from the Hinterland folio.\u003cbr\u003e\u003cbr\u003eThe brochure for the folio describes it as such:\u003cbr\u003e\u003cem\u003e\"The Hinterland folio presents eleven signed artists' prints, mixing traditional printmaking techniques with innovative digital print technology. All works are printed on 56 x 76 cm 300gsm Somerset or Velin Arches, in a folio edition of 16.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe Hinterland folio is curated by Jon Pengelly and published by Grays School of Art in collaboration with Peacock Visual Arts and with support from The Scottish Cultural Resources Access Network.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe artists' Ruth Beardsworth, Robbie Bushe, Joyce Cairns, Lennox Dunbar, Neil Gall, Andy Kennedy, Richard Mutch, Jon Pengelly, Claire Roberts, Cameron Ross and Allan Watson have each developed in the Hinterland print folio a very personal response, evoking the nature, character and particular environment of the North East of Scotland.\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003eIt was completed and exhibited in 1999.\u003cbr\u003e\u003cbr\u003ePaper Size: 56 x 76 cm\u003cbr\u003eMedium: Lithograph\u003cbr\u003eEdition Size: 16\u003cbr\u003eYear: 1999","brand":"Cairns, Joyce","offers":[{"title":"Default Title","offer_id":32756267876398,"sku":"","price":220.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0111\/0245\/3819\/products\/JoyceCairns-WarTourist2000pix.jpg?v=1606236228"},{"product_id":"achill-evening","title":"Barbara Rae: Achill Evening","description":"\u003cp\u003eCelebrated painter Barbara Rae \u003cspan data-mce-fragment=\"1\"\u003eCBE RA FRSE \u003c\/span\u003estudied in Edinburgh in the 1960's, where she was awarded a travel scholarship to study in France and Spain. She was elected President of the Society of Scottish Artists in 1983 and became a Member of the Royal Scottish Academy in 1992.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThrough the varied use of bold composition, strong contrast and richly textured painted and collaged surfaces Barbara Rae evokes a memorable atmosphere in all her work. At first glance, Rae's paintings seem like planes of abstracted colour, but once your eyes adjust you can make out rural landscapes and industrial architecture. Harbours and coastlines are prominent in her paintings, where rocks become ships, and trees become electricity pylons.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRae’s work has been included in solo and group exhibitions, both nationally and internationally, and is included in private collections in Britain, Europe and the USA, as well as in many public and corporate collections.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRae currently lives and works in Edinburgh.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePaper Size: 54 x 74 cm\u003cbr data-mce-fragment=\"1\"\u003eMedium: Etching with relief roll\u003cbr data-mce-fragment=\"1\"\u003eEdition Size: 20\u003cbr data-mce-fragment=\"1\"\u003eYear: 2011\u003c\/p\u003e\n\u003cp\u003eCopyright the artist. Courtesy of Peacock Visual Arts.\u003c\/p\u003e","brand":"Rae, Barbara","offers":[{"title":"Default Title","offer_id":32809328541742,"sku":"","price":2000.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0111\/0245\/3819\/products\/BarbaraRae-AchillEveningDETAIL2000pix.jpg?v=1610200827"},{"product_id":"red-sanctuary","title":"Barbara Rae: Red Sanctuary","description":"\u003cmeta charset=\"utf-8\"\u003eCelebrated painter Barbara Rae CBE RA FRSE studied in Edinburgh in the 1960's, where she was awarded a travel scholarship to study in France and Spain. She was elected President of the Society of Scottish Artists in 1983 and became a Member of the Royal Scottish Academy in 1992.\u003cbr\u003e\u003cbr\u003eThrough the varied use of bold composition, strong contrast and richly textured painted and collaged surfaces Barbara Rae evokes a memorable atmosphere in all her work. At first glance, Rae's paintings seem like planes of abstracted colour, but once your eyes adjust you can make out rural landscapes and industrial architecture. Harbours and coastlines are prominent in her paintings, where rocks become ships, and trees become electricity pylons.\u003cbr\u003e\u003cbr\u003eRae’s work has been included in solo and group exhibitions, both nationally and internationally, and is included in private collections in Britain, Europe and the USA, as well as in many public and corporate collections.\u003cbr\u003e\u003cbr\u003eRae currently lives and works in Edinburgh.\u003cbr\u003e\u003cbr\u003ePaper Size: 89 x 89 cm\u003cbr\u003eMedium: Carborundum Monoprint\u003cbr\u003eEdition Size: Artist Proof - (this print is marked AP II)\u003cbr\u003eYear: 2014\u003cbr\u003e\u003cbr\u003eCopyright the artist. 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At first glance, Rae's paintings seem like planes of abstracted colour, but once your eyes adjust you can make out rural landscapes and industrial architecture. Harbours and coastlines are prominent in her paintings, where rocks become ships, and trees become electricity pylons.\u003cbr\u003e\u003cbr\u003eRae’s work has been included in solo and group exhibitions, both nationally and internationally, and is included in private collections in Britain, Europe and the USA, as well as in many public and corporate collections.\u003cbr\u003e\u003cbr\u003eRae currently lives and works in Edinburgh.\u003cbr\u003e\u003cbr\u003ePaper Size: 89 x 89 cm\u003cbr\u003eMedium: Carborundum Monoprint\u003cbr\u003eEdition Size: Artist Proof - (this print is marked AP VI)\u003cbr\u003eYear: 2014\u003cbr\u003e\u003cbr\u003eCopyright the artist. 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Drawing on a three month period of research in Japan this work develops visual themes explored in his previous solo show at Inverness Museum \u0026amp; Art Gallery in 2015. The prints reflect a simplicity of form and sensitivity to material seen in the traditional architecture and craftsmanship throughout Japan. This is particularly evident in the construction of their temples and gardens where boundaries between interior and exterior gently give way to each other. 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Inspired by the natural and built environment, Jamie’s sculptural works are also informed by his many years of experience with traditional materials. In 2013, Jamie won the Saltire Society International Travel Bursary for visual arts, which funded a research trip to Japan in 2014.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eProduced for 'knowing not knowing' a solo exhibition by Jamie Davidson at Peacock in 2016. Drawing on a three month period of research in Japan this work develops visual themes explored in his previous solo show at Inverness Museum \u0026amp; Art Gallery in 2015. The prints reflect a simplicity of form and sensitivity to material seen in the traditional architecture and craftsmanship throughout Japan. This is particularly evident in the construction of their temples and gardens where boundaries between interior and exterior gently give way to each other. 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Inspired by the natural and built environment, Jamie’s sculptural works are also informed by his many years of experience with traditional materials. In 2013, Jamie won the Saltire Society International Travel Bursary for visual arts, which funded a research trip to Japan in 2014.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eProduced for 'knowing not knowing' a solo exhibition by Jamie Davidson at Peacock in 2016. Drawing on a three month period of research in Japan this work develops visual themes explored in his previous solo show at Inverness Museum \u0026amp; Art Gallery in 2015. The prints reflect a simplicity of form and sensitivity to material seen in the traditional architecture and craftsmanship throughout Japan. This is particularly evident in the construction of their temples and gardens where boundaries between interior and exterior gently give way to each other. 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Inspired by the natural and built environment, Jamie’s sculptural works are also informed by his many years of experience with traditional materials. In 2013, Jamie won the Saltire Society International Travel Bursary for visual arts, which funded a research trip to Japan in 2014.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eProduced for 'knowing not knowing' a solo exhibition by Jamie Davidson at Peacock in 2016. Drawing on a three month period of research in Japan this work develops visual themes explored in his previous solo show at Inverness Museum \u0026amp; Art Gallery in 2015. The prints reflect a simplicity of form and sensitivity to material seen in the traditional architecture and craftsmanship throughout Japan. This is particularly evident in the construction of their temples and gardens where boundaries between interior and exterior gently give way to each other. 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Inspired by the natural and built environment, Jamie’s sculptural works are also informed by his many years of experience with traditional materials. In 2013, Jamie won the Saltire Society International Travel Bursary for visual arts, which funded a research trip to Japan in 2014.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eProduced for 'knowing not knowing' a solo exhibition by Jamie Davidson at Peacock in 2016. Drawing on a three month period of research in Japan this work develops visual themes explored in his previous solo show at Inverness Museum \u0026amp; Art Gallery in 2015. The prints reflect a simplicity of form and sensitivity to material seen in the traditional architecture and craftsmanship throughout Japan. This is particularly evident in the construction of their temples and gardens where boundaries between interior and exterior gently give way to each other. Here in the shadow between the two spaces, a crossing over, or passing through subtly evokes our own sense of being in the world.\u003c\/p\u003e\n\u003cp\u003eThis print is part of a set of 17.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePaper Size: 45.5 x 45.5 cm\u003cbr data-mce-fragment=\"1\"\u003eMedium: Screenprint\u003cbr data-mce-fragment=\"1\"\u003eYear: 2016\u003c\/p\u003e","brand":"Davidson, Jamie","offers":[{"title":"Default Title","offer_id":32834084765742,"sku":"","price":150.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0111\/0245\/3819\/products\/JamieDavidson-KnowingNotKnowing-nkxii_I_2000pix.jpg?v=1611689615"},{"product_id":"quartet-box-set","title":"Steven Aalders: Quartet (box set)","description":"\u003csection id=\"product_description\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSteven Aalders is known for his meticulous hand made abstract oil paintings, in which the heritage of modernism of Mondrian and American Minimal Art has been processed. 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His use of colour reflects various colour concepts from the past.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/section\u003e\n\u003csection data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/section\u003e\n\u003csection data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/section\u003e\n\u003csection data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis is the box set containing all four \"Place\" in the set produced by Peacock Visual Arts in 2013.\u003c\/span\u003e\u003c\/section\u003e\n\u003cbr data-mce-fragment=\"1\"\u003e\n\u003csection data-mce-fragment=\"1\"\u003e\u003cspan class=\"\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/section\u003e\n\u003csection data-mce-fragment=\"1\"\u003ePaper Size: 45 x 45 cm\u003c\/section\u003e\n\u003csection data-mce-fragment=\"1\"\u003e\u003cspan class=\"\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/section\u003e\n\u003csection data-mce-fragment=\"1\"\u003eMedium: Aquatint Etching\u003c\/section\u003e\n\u003csection data-mce-fragment=\"1\"\u003e\u003cspan class=\"\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/section\u003e\n\u003csection data-mce-fragment=\"1\"\u003eEdition Size: 20\u003cbr data-mce-fragment=\"1\"\u003eYear: 2013\u003c\/section\u003e","brand":"Aalders, Steven","offers":[{"title":"Default Title","offer_id":32841859629102,"sku":"","price":2450.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0111\/0245\/3819\/products\/StevenAalders-QuartetBoxset013000pix.jpg?v=1655223501"},{"product_id":"red-field-ceide","title":"Barbara Rae: Red Field - Ceide","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003eCelebrated painter Barbara Rae CBE RA FRSE studied in Edinburgh in the 1960's, where she was awarded a travel scholarship to study in France and Spain. She was elected President of the Society of Scottish Artists in 1983 and became a Member of the Royal Scottish Academy in 1992.\u003cbr\u003e\u003cbr\u003eThrough the varied use of bold composition, strong contrast and richly textured painted and collaged surfaces Barbara Rae evokes a memorable atmosphere in all her work. At first glance, Rae's paintings seem like planes of abstracted colour, but once your eyes adjust you can make out rural landscapes and industrial architecture. Harbours and coastlines are prominent in her paintings, where rocks become ships, and trees become electricity pylons.\u003cbr\u003e\u003cbr\u003eRae’s work has been included in solo and group exhibitions, both nationally and internationally, and is included in private collections in Britain, Europe and the USA, as well as in many public and corporate collections.\u003cbr\u003e\u003cbr\u003eRae currently lives and works in Edinburgh.\u003c\/p\u003e\n\u003cp\u003ePaper Size: 32 x 38 cm\u003cbr\u003eMedium: Etching\u003cbr\u003eEdition Size: Artist Proof\u003cbr\u003eYear: 2018\u003cbr\u003e\u003cbr\u003eCopyright the artist. Courtesy of Peacock Visual Arts.\u003cbr\u003e\u003c\/p\u003e","brand":"Rae, Barbara","offers":[{"title":"Default Title","offer_id":32851679674414,"sku":"","price":900.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0111\/0245\/3819\/products\/BarbaraRae-RedField-CeideDETAIL2000pix.jpg?v=1613169558"},{"product_id":"the-capitol","title":"James Furneaux: The Capitol","description":"\u003cp\u003eJames Furneaux (1935 - 2013) was noted for painting Aberdeen’s lesser known buildings and backstreets and the city’s landmarks from unusual perspectives. 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His early training in architecture is apparent in his depiction of the city’s buildings, many of which are no longer standing.\u003c\/p\u003e\n\u003cp\u003ePaper Size: 59 x 39.5 cm\u003cbr data-mce-fragment=\"1\"\u003eMedium: Screenprint\u003cbr data-mce-fragment=\"1\"\u003eEdition Size: 60\u003cbr data-mce-fragment=\"1\"\u003eYear: 1994\u003c\/p\u003e","brand":"Furneaux, James","offers":[{"title":"Default Title","offer_id":39360116588590,"sku":"","price":300.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0111\/0245\/3819\/products\/JamesFurneaux-TheCapitol3000pix.jpg?v=1622743084"},{"product_id":"elephant-island","title":"Frances Walker: Elephant Island","description":"\"In 2007 I received the James McBey Travel Award to visit Antarctica and from this research trip made several large oil paintings on my return, including two of Elephant Island, the desolate unoccupied island known for the iconic tale of the remarkable survival and rescue of the Shackleton expedition team. These paintings, shown in 2010 at Aberdeen Art Gallery in a major exhibition to celebrate my 80th birthday, have been the inspiration for this print.\u003cem\u003e\"\u003cbr\u003e\u003c\/em\u003e–Frances Walker\n\u003cp\u003e\u003cbr\u003eTaken from Frances Walker: Printing On, an exhibition curated by Peacock: a workshop for art, taking place at the Aberdeen Art Gallery in 2022. The exhibition features six new prints by Aberdeen-based printmaker Frances Walker realised in collaboration with Peacock during the past two extraordinary years. Looking back on her travels throughout the years, some of the prints are re-elaborations of previous plates. The prints trace a printmaking journey that unfolds through time as well as space, capturing the atmospheric presence of place and memory.\u003c\/p\u003e\n\u003cp\u003ePaper Size: 121 x 38 cm\u003cbr\u003eMedium: Photopolymer Gravure\u003cbr\u003eEdition Size: Unique print\u003cbr\u003eYear: 2022\u003c\/p\u003e","brand":"Walker, Frances","offers":[{"title":"Default Title","offer_id":39747747741742,"sku":"","price":2000.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0111\/0245\/3819\/products\/FrancesWalker-ElephantIsland013000pix.jpg?v=1669987751"},{"product_id":"lunography","title":"Tom Hammick: Lunography","description":"\u003cp data-mce-fragment=\"1\"\u003eThis work is part of the ‘Lunar Voyage’ series, a suite of large-scale woodcuts that narrate a dreamlike story of travel and discovery into outer space, veined with nostalgia, awe and mystery.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003eLunography\u003c\/em\u003e speaks of the dream of a child grown up in the 1970s, when the mysteries of space were first being plunged into, with awe and fascination. The space rocket, colourful and small against the majestic, austere moon, comes close to it without quite reaching it, ‘like a fishing fly,’ filling up the space between them with longing. The moon was carved with an industrial laser-cutter; as Hammick explains, ‘the combination of marks made by both hand and machine echoes the traditionally blunt and hard-edged language of the woodcut.’ Upon a closer look, the surface of the moon is revealed to be a rather personal map: amongst the Latin names of its seas and mountains are places Hammick has lived in and dreamed of. \u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePaper Size: \u003cmeta charset=\"utf-8\"\u003e166 x 122 cm\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMedium: \u003cmeta charset=\"utf-8\"\u003eEdition variable reduction woodcut\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eEdition Size: 16\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eYear: 2017\u003c\/span\u003e\u003c\/p\u003e","brand":"Hammick, Tom","offers":[{"title":"Default Title","offer_id":39780929273902,"sku":"","price":12600.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0111\/0245\/3819\/products\/TomHammick-Lunography2000pix.jpg?v=1650120417"},{"product_id":"four-acts-box-set","title":"Steven Aalders: Four Acts (box set)","description":"\u003csection id=\"product_description\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSteven Aalders is known for his meticulous hand made abstract oil paintings, in which the heritage of modernism of Mondrian and American Minimal Art has been processed. His work is an attempt to embody the essence, to create light and space through paint. Also to remap the tradition of history of art. Modernist serial principles such as repetition and sameness are both connected to older traditions in Western art and Non-Western abstract art. His use of colour reflects various colour concepts from the past.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/section\u003e\n\u003csection data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/section\u003e\n\u003csection data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/section\u003e\n\u003csection data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis is the box set containing all four \"Act\" prints in the set produced by Peacock Visual Arts in 2013.\u003c\/span\u003e\u003c\/section\u003e\n\u003cbr data-mce-fragment=\"1\"\u003e\n\u003csection data-mce-fragment=\"1\"\u003e\u003cspan class=\"\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/section\u003e\n\u003csection data-mce-fragment=\"1\"\u003ePaper Size: 45 x 45 cm\u003c\/section\u003e\n\u003csection data-mce-fragment=\"1\"\u003e\u003cspan class=\"\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/section\u003e\n\u003csection data-mce-fragment=\"1\"\u003eMedium: Screenprint\u003c\/section\u003e\n\u003csection data-mce-fragment=\"1\"\u003e\u003cspan class=\"\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/section\u003e\n\u003csection data-mce-fragment=\"1\"\u003eEdition Size: 20\u003cbr data-mce-fragment=\"1\"\u003eYear: 2013\u003c\/section\u003e","brand":"Aalders, Steven","offers":[{"title":"Default Title","offer_id":39849468592174,"sku":"","price":1850.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0111\/0245\/3819\/products\/StevenAalders-FourActsBoxset023000pix.jpg?v=1655223987"},{"product_id":"the-pathway-taken","title":"Donald Addison: The Pathway Taken","description":"\u003cp data-mce-fragment=\"1\"\u003eSimilarly to the other prints in the series, 'The Pathway Taken' brings the viewer into a glimpsed scene that has the quality of a memory unfolding or a dream remembered. Most of the prints in the suite were realised by carefully layering up to six colour separations, which creates complex, subtle colour tones.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis suite of prints were published at the Visual Research Centre, Dundee using their high-end automatic screen printing press.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePaper Size: 56 x 76 cm\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMedium: Screenprint\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eEdition Size: 60\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eYear: 2005\u003c\/span\u003e\u003c\/p\u003e","brand":"Addison, Donald","offers":[{"title":"Default Title","offer_id":39889376018478,"sku":"","price":130.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0111\/0245\/3819\/products\/DonaldAddison-ThePathwayTaken.jpg?v=1656688395"}],"url":"https:\/\/peacock-visual-arts.myshopify.com\/collections\/only-1-left.oembed?page=3","provider":"Peacock - a workshop for art","version":"1.0","type":"link"}