In the suite of prints entitled Heretical Diagrams, Ian Howard explores the theme of ideas in opposition: orthodoxy and heresy, magic and reason, order and disorder. The ‘opposition’ is found in both the imagery and the form of the prints. On the one hand the compositions are frontal, symmetrical, diagrammatic and describe clear unequivocal designs which reflect the structure of the altar-piece, the icon and the banner. On the other hand these simple designs often act as ‘containers’ for a complexity of small scale imagery, at times existing within other more tangible containers: glass domes, alchemical vessels, receptacles and recessed areas. These recall not only the shrine, the reliquary, the instruments of experimentation, but also house other self-contained worlds which are in opposition to the larger image.
The imagery contains a set of metaphysical symbols and references to the Hermetic, particularly to the work of Giordano Bruno, but also to Fludd and Dee. There are also a number of archetypal symbols: the cross, the chalice and the urn, as well as various quotations from early Renaissance and 20th century art. Exact knowledge of these appropriations is not essential for the viewer as they are intended to form a patina of signs and symbols, some recognised, some half recognised, others not. This layering of meaning is mirrored by the physical layering of the printed separations, the final image revealing traces of those below.
Paper Size: 106 X 76 cm
Edition Size: 10